Showing posts with label Art Gallery of Hamilton. Show all posts
Showing posts with label Art Gallery of Hamilton. Show all posts

Hamilton Review of Books

Thursday, 29 December 2016

It was such a treat to be featured in the Hamilton Spectator yesterday as part of the team behind the newly launched Hamilton Review of Books, an independent online literary journal created by writers, editors, reviewers, and academics from the Hamilton area. Read Graham Rockingham's story here.

We launched the review in early November, on the same night of Game 7 of the World Series and a terrible downpour. Despite having the odds against us, we had close to 100 local book lovers in attendance. Here are a few photos from the launch, which was held at the Art Gallery of Hamilton's Annex. You can find the rest on our Facebook page.

Tor Lukasik-Foss as our literary palm reader

The Hamilton Spectator's Jeff Mahoney with local writer Jen Jones

Giller Prize shortlister Gary Barwin 

 Jeff Mahoney with some of the women behind gritLIT: Hamilton's Readers and Writers Festival

Jaime of Epic Books on Locke Street and Noelle Allen of Wolsak and Wynn 

 Hamilton Review of Books editorial team members Sally Cooper, Dana Hansen, and Krista Foss

 A literary journal dedicated to paying its writers!

#AGHBeaverHall: 1920s Modernism in Montreal

Sunday, 13 March 2016

I spent a lot of my early twenties snapping photos that I probably shouldn't have at Ottawa's National Gallery of Canada. I'd wait until the sombre-looking security guard turned away for a moment so I could document the piece of work I was admiring. A natural archivist, I wanted proof that I had been been in the presence of that exact painting at that exact moment.

I was never completely sure of the rules surrounding photography at galleries, but snapping photos always seemed like something I had to do clandestinely. That's why I am such a fan of the Art Gallery of Hamilton's new Social Media Influencer Nights that allow bloggers to get up-close-and-personal with works of art, while also photographing, tweeting, instagramming, etc.

If you missed my post about the first Social Media Influencer Night, see it here. 

The 1920s Modernism in Montreal: The Beaver Hall Group exhibit is on view February 20 to May 8, 2016, and it chronicles the bold and experimental group at the forefront of modern paining in Canada in the 1920s.

From the Art Gallery of Hamilton's website:
The painters associated with Montreal’s Beaver Hall Group (so named for the location where they shared studio and exhibition space) were among Canada’s most avant-garde artists of their day and yet until now their contribution as an association has yet to be fully researched and presented. 
The Montreal Museum of Fine Arts has righted the situation and organized the first major exhibition to shed new light on this pivotal association of artists. In essence, the Beaver Hall Group was to Montreal what the Group of Seven was to Toronto. But rather than offering an image of Canada’s identity through the depiction of untamed landscapes, they showed their attachment to the portrait and to humanized cityscapes and landscapes. 
The exhibition levels the art historical playing field. In locating the activities of this Montreal group in a national context, we are given a broader view of the artistic landscape in Quebec, Ontario and indeed Canada. This is particularly important as the Beaver Hall Group has always, in part, been characterized by its female membership. As the first association of its kind in Canada to bring together professional women artists, it provided both a community and public forum for their activities and the development of their practices, another sign of the Group’s progressive, modern nature.
The paintings in this exhibit are diverse and plentiful, but for me, a self-professed history nerd, the painstaking research and careful analysis that must have happened to make this exhibit possible are what blew me away. The exhibit places the Beaver Hall Group in history through ephermeral evidence — an invitation, books of significance, certificates. #AGHBeaverHall brings together art and history in an exhibit that would seem at home in a museum of history or an art gallery.


Also on exhibit is #AGHJohnScott, rather Fearful Symmetry: The Art of John Scott, which includes 28 works on paper as well as Trans AM Apocalypse No. 3, (1998-2000), "an actual car, which the artist painted matte, incising on the surface words from the Book of Revelation that refer to the apocalypse." Ah, the melding of the literary and visual arts.


Fearful Symmetry: The Art of John Scott is on view February 6 to May 15, 2016.

Gallery Hours:
​Tuesday & Wednesday, 11 am - 6 pm; Thursday, 11 am - 8 pm;
Friday, 11 am - 6 pm; Saturday & Sunday, 12 noon - 5 pm

#AGHayx: are you experienced?

Wednesday, 25 November 2015



When I first started this blog, my intention was to write mostly about books, with an emphasis on local literature. For a while, I did just that, but slowly things started to evolve, especially with so much to do and see in Hamilton. Even still, my passion lies in literature, so I get really excited when I see other disciplines embracing the literary arts.

On Friday, I was invited to the Art Gallery of Hamilton’s Social Media Influencer’s Night, giving me an up-close look at are you experienced, a series of “immersive and interactive installations, photography, video, painting, sculpture and sound art, the artists engage viewers and invite participation.”

After an hour of wandering the exhibit, taking photos, and connecting with other “social media influencers,” I attended a talk with artists Hadley+Maxwell, in conversation with writers Jennifer Fisher and Jim Drobnick, who spoke about their incredible work, When That was This, which was created using cinefoil, steel, magnets, 6-channel sound, LED light-programming.

The history junkie in me was immersed in the story of the story of the work, “a reflection on masculinity and the transformation of a public into a war machine as was the case at the turn of the 20th Century.” But what most stunned and gripped me was how the artists brought together the literary and visual arts in the most innovative way:

From the artists’ website: 
“The soundtrack features vocal recordings by writer Lisa Robertson, who reads a passage from Gertrude Stein's Autobiography of Alice B. Toklas and actor Kai Meyer, who reads a passage from Erich Maria Remarque's All Quiet on the Western Front. The sound is composed of extended processing and editing techniques to create various acoustic atmospheres and disembodied voices that, combined with the programmed LED lighting, illuminate the curiosity and anxiety common to the shifting social, political and perceptual sense of humanity of the time.”
are you experienced? is on view until January 3, 2016, and is made up of “spectacular installations by six internationally renowned artists: Nadia Belerique, Jessica Eaton, Olafur Eliasson, Dorian FitzGerald, Hadley+Maxwell and Do Ho Suh.”

Visually stunning, each piece was a photographer’s dream, and getting the opportunity to snap photos in a museum setting (without worrying about the wrath of security guards) was a joy. I lack the lexicon of the visual arts, so I urge you to enjoy are you experienced? for yourself.

Works by Dorian FitzGerald are daunting in scale. They're captivating in different ways depending on where in the room you view them. 

When That was This


 
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